I got things out of the film except hurt. I loved the first two thirds of it, and I... recognize why the last third exists. If Charlotte didn't have a) strong emotional reactions to characters in fiction generally and b) strong emotional reactions to that particular kind of horror and c) experience working in a call center, and if I hadn't been exhausted, I think I'd have come out of it impressed, instead of hating it and convinced it had wanted me to hate it. Which reaction is now dying down! I mean, I do think the film wants to punch people in the nose, but there are times when... actually there aren't times when I'd welcome a punch in the nose, this metaphor fails, but you know what I mean.

And (spoiler) I liked the place of labour movements in it, in that when the man organising the union first showed up, I was convinced that he would cause terrible damage by trying to produce a union in circumstances where it had already proved untenable. And he didn't. Which reflects on how I usually see unions presented, I think.

I am sorry that thing with the song and driver happened.